One blog I read through my aggregator is The Rejector ("I don't hate you. I just hate your query letter.") and she had an interesting post yesterday (read: post I find fascinating in its dissimilarity to the way I see things) about The Academy Awards.
It got me thinking about genres in general, and back to the disagreements I've had with a couple of readers about relative values of genre fiction.
Here's basically how I feel about genres in novels, movies, and food.
I believe that there's excellent writing and storytelling that transcends genre, and it's often called "literary fiction" when it does so. There are so many examples of this. Gregory Maguire springs to mind, but there are plentiful historical examples as well. Lewis Carroll?
But with writing that's similar to what's typical within a genre, I fall back on a food analogy.
Sometimes I like to eat candy and sweets. Sometimes, I want an actual meal, but I feel more like a cheeseburger than a platter of steamed asparagus. Likewise, sometimes I might read typical genre fiction.
There's nothing wrong with it! There's tremendous creativity in speculative fiction, and sometimes really ground-breaking stuff starts there and works its way into more mainstream discussion.
I haven't seen every movie nominated for a Best Picture Oscar, in any given year. But I usually make an effort to see a few of them, including the one that wins, even if they fall well outside what I would normally choose to see on a rare night out at the movies (escapism and fun is what I'm typically looking for in a movie, not an uncomfortable challenge).
But the fact remains that when I've seen a really good movie, even if I found it uncomfortable at the time or unappealing in advance, I'm never sorry afterwards.
And after I eat a good, healthy meal, my body feels enriched and well-nourished.
It is likewise with fiction for me. I hated Madame Bovary. Hated it! But I've read it several times, and it sticks with me in a healthy-meal kind of way. It took Flaubert 10 years to write that first chapter.
Is there not some objective difference between writing like that and a mass market thriller/mystery/western/romance/fantasy/chick lit novel that an author churned out in a few weeks of work?
All can be good writing, all can be valuable contributions to society. But there is, I believe, in art, a level that speaks to greater human truths rather than just moments of entertainment. (Obviously, a love/sex analogy also springs to my mind here, as well as some examples from within the art world.)
There's nothing wrong with seeking entertainment, or with seeking to provide it.
But I'm glad that there are people out there who are looking beyond a clever punchline, a contagious chemistry, a cool special effect. I'm glad that there are writers and artists and filmmakers who strive to make minds open and grow in new and exciting ways, to serve nutritious food.
(In case you were wondering, I love that mixed metaphor. It's my little inside joke, me not taking myself too seriously. That's my sense of humor, poking fun at myself, but I'm sure most of you know that by now!)
Does anyone really think that Spiderman 3 deserved to win Best Picture, just because a lot of people saw it? I guess so.
Edited to clarify: The Rejector seems to be suggesting that it's pure Academy snobbishness that the year's highest grossing film (I'll take her word for it that it's Spiderman 3) wasn't nominated for best picture.
My point isn't really about genre, or even length of time it takes to create. It's that I don't believe that commercial success is the sole indicator of what's good.
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